I create custom books that capture your stories, memories, and milestones.

I work with individuals and families who don’t have the time, systems, or experience to turn their stories into a book.

Absolutely. Most of my clients don’t see themselves as writers. My job is to interview you, organise the material, shape the narrative, and handle the writing, editing, and design. Your job is to show up, talk honestly, and give feedback.

Yes. Most projects happen remotely by telephone, video call, and email. I’ve worked with clients in multiple time zones, around the world, and we’ll find a rhythm that suits us both.

I’ve been writing, editing, and shaping books for over 20 years and have 20+ published titles as an author, plus many private, commissioned books for clients, families, and organizations.

Yes. You’ll find selected samples on my "Museum" page. Some books are private, but I can usually share a few pages or anonymized excerpts so you can get a sense of style and quality.

Most clients feel this way at first. My job is to ask the right questions, spot the themes, and show you how meaningful your story is to the people who love you.

Most projects are ghostwritten. That means the book appears under your name. Unless we agree otherwise, my name doesn’t appear on the cover.

While every book is unique, most projects follow this pattern:

1. We talk about your goals and scope.

2. I gather material (interviews, documents, photos).

3. I shape the outline and sample pages.

4. I draft the manuscript and refine with your feedback.

5. I design and lay out the book.

6. We finalize files and prepare for printing.

7. I deliver your books and we celebrate!

It depends on the scope and how quickly you can review material. As a rough guide, most books take between 6-12 months from our first conversation to a delivery—what I call from soul to shelf.

We meet online or by phone. I ask structured and open-ended questions to draw out your stories, memories, and insights. The conversations are recorded so I can focus on listening and later turn them into polished prose.

You can expect to spend roughly 90 minutes per interview, and as much time as you like (within reason) reviewing drafts. I handle the heavy lifting—writing, organising, editing, and design—so your time stays focused and meaningful.

Perfect. I love when my clients have spent time pondering and putting words on pages. We can easily build on your existing material. I’ll review what you have, identify what’s working, and suggest what we still need. Sometimes we keep your voice almost as-is; other times we revise and expand.

Yes, please! Visuals are often a big part of these books. I’ll guide you on what to gather and in what resolution, and we’ll place them throughout your book in a way that supports the story.

It’s normal for a project to evolve. We build in checkpoints where you can react to outlines and draft sections. If the scope changes significantly, we’ll discuss it and adjust the timeline and fee if needed.

That’s the goal. I pay close attention to your natural language, rhythm, and stories. I’m shaping and polishing your thoughts, but the voice should feel authentic to you and your audience.

You’re always in control of what you share. We can decide together how candid or reserved the book should be. Nothing is included without your consent, and you can draw clear lines around topics that feel off-limits.

I can absolutely hold space for grief, conflict, trauma, or mistakes—gently and respectfully. We’ll talk about who the book is for, how much detail is appropriate, and how to frame difficult moments in a way that feels honest and safe. I'm open-minded and respectful.

You are the primary source for your story. I’ll flag anything that seems unclear or inconsistent and may suggest checking certain dates or details.

Yes. For many projects it’s helpful to include additional voices—brief quotes, stories, or memories from others. We can design a simple process so their contributions fit smoothly into the book.

Yes. I provide a complete service—from initial interviews to a fully designed book. If you already have a designer you love, I’m happy to collaborate with them.

Yes. Printing and delivery are built into every package. We’ll confirm paper quality and binding options. I wll manage production and shipping so you receive your finished books at your door. Additional copies beyond what’s included are easy to arrange.

Absolutely. You’ll also receive the final print-ready PDF files, so you can order additional copies anytime. If you’d like, I can also coordinate reprints for you so it stays effortless.

Yes. We can revisit the files and create a second edition or add a new chapter. Updates are treated as a separate, smaller project.

Every book is a custom creation. Pricing depends on length, complexity, interviews, research, and design. After our initial conversation, I’ll send a clear proposal so you know exactly what’s included.

Yes. Typically, projects are paid in instalments. For example: a deposit to start, one payment upon delivery of the first draft, and a final payment upon completion (prior to delivery of physical books). We’ll agree a schedule that works for both of us.

Yes. The first print run is included in the fee. For additional copies, printing is quoted separately so you can choose quantities.

If you decide to significantly expand the project—more chapters, more interviews, major structural changes—we’ll discuss it and agree on any adjustment to the fee before moving ahead.

You do. Once the final invoice is paid, you own the content and design we’ve created for your project. You’re free to print, distribute, and share your book in any way you like.

Only with your permission. Some clients are happy to have their projects featured in my portfolio; others prefer complete privacy. We’ll respect whatever you choose.

Yes, of course, if that’s part of your goal. We can shape the book with a public audience in mind and discuss steps for ISBNs, distribution, and marketing if needed.

I treat your stories as confidential. Any recordings, transcripts, and drafts are stored securely. We’ll also decide what stays private and what appears in the final book.